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The Mercat Blog
‘Barro tal vez. La terra com element creador’, per Mikel Fernandino
La companyia Maduixa juga amb noves tecnologies i elements plàstics, amb una acurada percepció del temps i una precisió envejable entre llum, so i moviment
‘Panorama o un sinfín de horizontes de bellos artificios’, por Riikka Laakso
En Panorama la danza permite mostrar una visión sobre todos los horizontes posibles, (in)imaginables, comprimidos en un cuerpo del siglo XXI
‘La Institució com a oportunitat’, per Ester Vendrell i Sales
La trajectòria del col·lectiu interdisciplinari (La)Horde destaca per posar l’accent en democratitzar l’art contemporani i modernitzar-ne els seus codis
‘Exploradora gal·làctica’, per Bàrbara Raubert
Per a mi, 'Cometa' és sobretot un espectacle sobre la fascinació per la realitat que ens envolta
‘Estados de gracia’, por Roberto Fratini
Cualquier reedición del Ballet Triádico no podrá eximirse de considerar esta ambivalencia: la historia del capitalismo militante es la historia del acaparamiento organizado del valor emancipador de la diversión
‘Com un fresc pictòric vibrant i gegantí’, per Fransien van der Putt
A més de a l'heroisme romàntic de Delacroix o al realisme íntim de Rembrandt, 'Crowd' també recorda a un gegantesc i vibrant fresc del Renaixement
‘Conversa amb Jordi Galí’, per Mélanie Jouen
Hi ha quelcom de polític que impregna totes les meves peces: com retornar un lloc al gest artesanal, a la 'low tech', a tot allò que podem fer amb poc, a la nostra capacitat d'inventiva?
‘Folklore i footwork’, per Claudia Galhós
Marco parla de l’emergència de l’extrema dreta i dels murs i fronteres que cal enderrocar
‘Ballar la resiliència, un ritual contemporani’, per Clàudia Brufau Bonet
En el procés de creació Lima va partir de la relació entre la repetició i la diferència, i com a base de repetir la mateixa frase de moviment sorgeix la singularitat de cada ballarina
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