CONSTANZA BRNČIĆ

This work is defined as an interdisciplinary investigation based on words, bodies, light, sound and objects, and is built around the question of dispossession in its various dimensions: political, biographical and poetic. Without my body, without my objects, without my own images, without the known place, without time, without a voice… what’s left? If I carry out the exercise of being another body, being object, being image, being from another time, from another place, speaking with another voice, what is revealed?

Dancer and choreographer Constanza Brnčić holds a degree in Philosophy and a master’s degree in Contemporary Thought and Classical Tradition from the University of Barcelona (UB), where she is currently working on her doctoral thesis. She combines her artistic and research work in the field of live arts creation, with a special interest in the contextuality of practices, and on numerous projects and commissions – notable among which are the community project PI(È)CE (2011_2022) and the recently presented work Registres Evanescents – with teaching Composition, Improvisation and Movement Techniques at the Institut del Teatre’s Conservatori Superior de Dansa (CSD).

Direction and performance Constanza Brnčić / Accompaniment, artistic and technical concept Beatriz González Magadán / Sound and music Alfredo Costa-Monteiro / Artistic accompaniment Carolina Campos / Photo and video Tristán Pérez-Martín / Design of the sound space Adrià Juan / Light design Conchita Pons / Social media contents creator Diana Pop / Production Ariadna Miquel / Internship assistant Marta Fernández Tusón / Special thanks to Gabrilela Blanch, Roberto Fratini, Sara Ojanguren, Albert Tola, Blanca Tolsà

Coproduction Mercat de les Flors / With the support Departament de Cultura, Barcelona Crea 2023 Grants, Graner, fàbrica de creació, L’Estruch de Sabadell